In the Philippines the Mayon volcano has been dangerously active during the last two days, with lava flows and continuous ash explosions threatening the surrounding population. As should be expected, the government has been evacuating the local villages, but many are refusing to leave, afraid that their cattle and crops will be ruined or stolen. There are two inspiring aspects of this story on philstar.com if you read carefully. First would be the evacuations, and even though they are forced and have elicited a strict curfew to prevent those from returning, it seems to be rooted with honest best intentions. Second is the support being given by the Philippine government. The provincial government only has the resources for 4 weeks, when it looks like it will be 4 months before people can return to their homes. But: “Social Welfare and Development Secretary Esperanza Cabral said some P98-million worth of relief goods would be made available to the evacuees in the province. Cabral said the relief goods would be on top of the P22-million calamity fund that the DSWD would be using for relief and rehabilitation of affected residents.” Philstar.com The Philippines lay on a part of the ‘Ring of Fire’, so it shouldn’t be a surprise that they have a long history of volcanic activity. The most recent disaster was on Mount Pinatubo, which Ed covered. In order to save the nearby city of Dapdap from mudslides, large dikes were built to reroute the threat. Unfortunately, these new routes forced the mud to wipe out the indigenous people. The Aetas, who inhabited the villages surrounding the volcano, had no choice but to move to the city and take up begging as their their livelihood. It remains to be seen if this will repeat itself, but for the time being it looks like a lesson in humanity has been learned. Perhaps this is written with a heavy dose of naiveté, but it doesn’t seem so. The people’s lives being guarded (even though the delicacy of their tactics is questionable) and aid and shelter are readily available.
Thursday, December 17, 2009
The Effects of the Mayon Volcano
Wednesday, December 16, 2009
The Bedrock of our Liberties
The Climate Summit has 2 days left, which has put more pressure on the negotiators, forcing them to find real results in a shorter amount of time. As developments inside the Summit large enough, marked events outside are undoubtedly much more dramatic. Protests, arrests, physical altercations and everything else you’d expect from demonstrations of this scale are the result of voices trying desperately to be heard. There’s one complaint being raised; one I don’t think can be overlooked. It is a statement in defense of all those in third world countries, those not fortunate enough to live in the modern city of Copenhagen or the affluent continent of Europe, those unable to efficiently use tools like the internet, and they’re those who the changing climate will most drastically effect. The declaration is that this summit is not a democratic event. I’d venture to say that we don’t appreciate the time and world we live in. As far as written record goes, the first true human experiment with Democracy came to fruition with the Ancient Greeks at around 500 BCE. As that democracy fell to the Romans and their Republic, which fell to the Caesars, we saw a consistent representative government lasting only around 450 years (in the West). That’s a long time, but there were moments in Ancient Greece where a democratic government was either put on hold during a war or usurped, and there were certainly other city states that didn’t follow the same trend, so to say that the Golden Age was as humane and progressive as most of popular culture would like to remember is actually very hard to back up. Regardless, the spirit was there and 450 years is impressive. However, take that out of the 4,000 years civilizations had been around up to that point and in the grand scheme of things that 450 was a (valorous) short experiment. It isn’t until the end of the 18th century that we really see the spirit of democracy rise again with the French and American revolutions. And here we are in the U.S., a little over 200 years afterwards, having a the blood of a terrible Civil War, years of atrocious slavery, one devastating financial crash, and the swings to and fro conservative laws that stifle our civil liberties more than we’d like to admit. Can we really say that Democracy, when held up to the time line of humanity, is really as strong a force to be reckoned with? I don’t believe so. But we’re bold: Nations from around the world have met this week in what you could consider it’s own representative world government trying to reach an end. What the world is trying right now, what the world has been trying since the end of the First World War is admirable. Yet, there are problems, and so when the protesters outside of the Climate Summit voice their well-founded concern that this meeting is not democratic, they are right in doing so and should be applauded. This meeting is not truly democratic when you think of the number of people, the number of nations in this world that are voiceless, and it is our job, the people’s job, the indigenous populations of this world’s job is to make sure that we all consistently have a say. When you look at human history, it is too easy for our governments to fall back into dictatorships, or oligarchies. As the world shrinks it becomes easier for meetings such as this Summit to be held, and it’s easier for those with influence… to influence. Those without access to the sort of communication that many of us have need to be represented. And this is why Journalism is essential to this world, especially in this world of mass communication. My degree was in Philosophy, not Photography or graphic arts, so Ed’s world is almost completely foreign to me. I had a basic knowledge of cameras and darkrooms, been to a few exhibits, know enough about art to get by in a conversation, but that’s it. The first couple months were a little overwhelming, since before I wrote anything I would have to sit down, and research what each exhibit, event, photographer, organizer and organization was about, what each gallery focused on, what that focus precisely meant. I figured that if I looked like an idiot, Ed would too, and that wasn’t acceptable in my mind. As the months go by, and I learn more and more about his field (since, admittedly I’m still very ignorant), learn the ins and outs of photojournalism I’m also learning how important this whole effort is.
Climate Change Is Not About Politics
As the nations of the world meet at the Copenhagen Climate Summit, we should all realize the importance of stemming human activity's contribution to not only climate change, but almost more profoundly the pollution and despoiling of our mother earth. Whatever is causing climate change is irrelevant on some level, in my mind, it's the fact that human activitiy is a sore on this earth. Anyone who lives or has spent time in an overcrowded city in Asia, Africa, Latin America or even on bad days in the US, cannot avoid noticing how we have ruined our air, water and increasingly our general habitation. Climate change should not be politicized or made a business issue. It's about how we live on this planet and how we treat ourselves, our environment and what kind of world we want to live in and leave for our future generations.Please take the time to use these links, as each is more educational than the next.
- The United Nations Copenhagen Climate Change Conference 2009 Official Website
- The Coal War, a brilliant project by Chad Stevens on mountain top coal removal.
- Consequences by NOOR, a collaborative endeavor for climate change awareness, featuring some of today’s best photographers
- Appalachia: A Land and People Under Threat Antrim Caskey's project documenting the offences taking place in our own back yard
Tuesday, November 17, 2009
CONSEQUENCES by NOOR
The Council (otherwise known as COP15), which meets this December, is clearly the behemoth: a U.N. affiliated meeting of 192 nations attempting to come to some sort of an accord on how to safe our global climate.
CONSEQUENCES by NOOR is a terrific exhibit that will use photographic evidence to show the effects of climate change from every corner of the world. This is certainly another contender since an educated public is necessary if you want real change.
And then we have Nina Berman, a wonderful photographer, talented artist and friend, bringing the devastation of the Pine Forests of British Columbia to the public with sensitivity and thoughtful imagery.
Certainly the whole endeavor is what’s important. I’ve spent years working on this topic, most notably with CURSE, and the growing attention to global warming over the years has been nothing less than exhilirating. Artists like Nina, projects like 350, exhibits like CONSEQUENCES and the significance of this meeting really can give you a sense of optimism in a world that’s far too easy to become jaded in.
Visit CONSEQUENCES' website, enjoy the artists, and keep an eye on the COP15, which is sure to be a great landmark in global cooperation.
Thursday, November 5, 2009
Climate Change and Africa
Please read this new posting about the implications of climate change and oil/gas in Africa. Climate Change and Natural Resources - Bantaba in Cyberspace
Friday, October 30, 2009
Good Posting on African Government Accountability
Check out this article about the need for increased transparency in African governments to combat environmental problems and economic issues related to extractive industries on the continent.
AllAfrica
Tuesday, October 27, 2009
The 350 Movement Gaining Terrific Momentum
The success of the 350 project this Saturday has been great news. A lot of Ed’s work, certainly Curse of the Black Gold, has shown an active concern for the well-being of the global environment. We’re pleased to see that this incredible demonstration went so well.
“On 24 October, people in 181 countries came together for the most widespread day of environmental action in the planet's history. At over 5,200 events around the world, people gathered to call for strong action and bold leadership on the climate crisis.”
Thursday, October 22, 2009
Brilliant News!
There is great news out of Paris today. The Prix Pictet Award was announced and the photographer Nadav Kandar won the grand prize! Ed Kashi was the runner up with a commission to work with and document the efforts of Azafady, a UK charity and registered NGO, in Madagascar. We are still thrilled to have been shortlisted by the Prix Pictet, but we are extremely excited to be given the opportunity to work with Azafady.
The Prix Pictet is an extraordinarily prestigious prize that knows powerful art has a powerful impact. Their agenda is so focused, the panel of judges so impressive, that to be nominated is an honor. It is truly a league of its own. Saying we’re honored is not half hearted or out of ceremony: we are flattered. What is possibly more of an honor is for them to commission Ed, to acknowledge his work as forceful and partner with him to raise awareness about the environmental degradation in Madagascar and highlight solutions that are being initiated by Azafady.
Please follow this link to read more about what's ahead for Ed.
Thank You Pictet!
Thank you, London Times, as well, for the great coverage we received last Sunday before today's event. Below is the spread they published. It came out wonderfully.
Friday, October 2, 2009
What Do Our Schools Really Look Like?
On Monday, October 5th, the opening reception for the Through Your Lens: School Facilities Across America exhibit will be held in room SR-385 of the Russell Senate Office Building on Capitol Hill. Featuring "powerful photos and vivid stories highlighting what’s great and what’s troubling about our nation’s public school buildings", the photographs will be displayed in the Russell Rotunda through Friday, October 9th.
Ed is honored to participate as a judge for this eye-opening exhibit. For more information, or to RSVP, please visit Through Your Lens.
Upcoming Events
Check out OPEN-i's "live webinar on advocacy photojournalism and human rights"!
Time: Wednesday, October 14, 2009, from 3pm to 5pm
Location: Online
For more details and to RSVP click on OPEN-i
And then two days later...
Join Ed at a book signing for THREE at ICP - International Center of Photography on October 16, 2009.
More details will be posted in the days ahead.
Just keep these event dates in mind!
Crowds Turn Out for Opening Night of the Fifty Crows Exhibition!
Last night, October 1, marked the successful opening of San Francisco's Fifty Crows Gallery 2009-2010 exhibition season.
Ed's work Curse of the Black Gold and THREE will be on solo display from now until November 15, 2009.
Click here to learn more about Fifty Crows.
And when you're in the Bay area, make sure to visit the gallery - a must see!
ALSO - Another opening update : TennCare, Ed's collaborative effort with Talking Eyes Media, experienced online exhibition success in China.
Wednesday, September 30, 2009
Crude World: An Interview with Peter Maass
Follow the link below to an interview with the author Peter Maass, who discusses his book about oil dependence called
"Crude World. The Violent Twilight of Oil."
We recommend this book.
The World
Tuesday, September 29, 2009
Upcoming Kashi Events
Here is a list of some upcoming events for Ed Kashi:
Florida: "Aging in America" exhibition. October 9 - December 3.
Where: Longboat Key Center for the Arts.
(public reception is on October 15. Ed lectures there on November 4)
San Francisco: "Curse" and "THREE" solo exhibition. October 1 to November 15.
Where: Fifty Crows Gallery
For more info: Fifty Crows Gallery
Palo Alto, CA: "Photojournalism Forum - What Matters"
October 9, 11:40am to 12:20pm
Where: Palo Alto High School, CA
For more info: Photojournalism Forum
London, England: Prix Pictet Exhibition. October 5 - 10
Where: Purdy Hicks Gallery
This is an exhibition featuring a selection of works from the 2009 shortlisted artists for the Prix Pictet competition.
For more info: Prix Pictet
Please let us know if you attend any of these!
Friday, September 25, 2009
Lecturing at Palo Alto High School Oct. 9th
I am gratified to report that an amazing educator, Margo Wixsom, who teaches photojournalism at Palo Alto HS in California, will be hosting myself, Professor Michael Watts and book publisher David Elliot Cohen on Friday afternoon, October 9th, to discuss David's book, What Matters. We will also cover issues around my work in the Niger Delta, oil, photojournalism and the meaning and purpose of what I do. It is always deeply meaningful and inspiring to share my work and experience with students and I am looking forward to this event.
Palo Alto High School
Thursday, September 24, 2009
New Post on Resolve about Multi platform Storytelling
Please check out my latest blog post to RESOLVE, with the collaboration of Livebooks' own Miki Johnson, she has once again managed to tease some sense out of me.
RESOLVE
Wednesday, September 23, 2009
Circle of Blue Interview
Circle of Blue Waternews recently interviewed Ed about his work in Nigeria.
Check it out - a must read and hear!
Photojournalism's Fading Future
From a recent Livebooks / Resolve "Ed Kashi: Beyond Multimedia - To create change, storytellers must conquer multiple media platforms" blog post, Ed comments that,
"It’s not enough anymore to create work for one media platform, especially if you intend to raise awareness about issues or are trying to effect change."
Unfortunately, this statement may need addition of the words, "...and if you ever hope to make a living in the profession of photojournalism."
Check out Dirck Halstead's editorial on Digital Journalist . Addressing the rapidly changing state of the business of photojournalism, Dirck's article has generated a plethora of ideas for potential fixes along with an equal number of comments that there is no solution.
Ed's hope is for brainstorming; "to promote further discussion and thought about these issues and a need for consensus building in the community impacted by these changes." With recent industry altering events such as the closing of Italy's Grazia Neri as reported in PDN and the troubles befalling France's Eyedea, maybe concepts such as that described by Mike Fox (below) should be investigated further.
"One model that was discussed in Advertising Age was very interesting, and quite compelling. If you are a cable TV subscriber, perhaps just signing up for the basic package, then you will have access to only a handful of channels, most of which are pretty pathetic. But if you upgrade to a different level, you get access to more channels, [which]...get their cut of viewer subscriptions to help pay for their productions. Advertising Age suggested that a similar model be applied to internet service provider (ISP) subscriptions. Now if I had to pay a little more to have access to premium news content, ...then I would almost certainly sign up for that, if I could no longer get that content for free. It actually makes my life a great deal easier. I do not have to manage subscriptions to multiple publications, and I have instant access to a plentiful supply of news, features, and other content. Now spread that model to publications that focus on specific interests such as lifestyle magazines, international affairs, computer information, etc. A small monthly fee to receive a flood of content on your areas of interest, without having to manage subscription payments for individual publications, would make life so much easier. And [the service i.e. Comcast] would be responsible for distributing the fees that viewers pay, to the content providers.
SO...What can be done? What do YOU plan to do? Comments?
Monday, September 21, 2009
Premiering Tonight - "The Age of Stupid"
British documentary filmmaker Franny Armstrong premieres her latest film "The Age of Stupid" in New York tonight. Armstrong's attempt to "humanize the climate challenge" begins in 2055 with a futuristic librarian reviewing videos from our present. Reflecting on lives intertwined by energy, resulting conflicts, and current abuses of the environment, this caretaker of what remains of human culture, science, and history marvels at our inability to correct our energy usage in spite of the knowledge and tools at our disposal. What will our planet be like if we continue along the existing path without regard for Earth's limited resources? This film provides a frightening glimpse of what may come.
The film opens in 440 theaters in the United States Monday evening and in 63 countries at last count, ranging from Israel to Madagascar. Per Ms. Armstrong, "(There would have been 64, but the Nigerian government just canceled the screening in Lagos, she said, after realizing that part of the film focuses on accusations of government human-rights violations and misuse of oil money.)"
Read the The New York Times "Are We Living in 'The Age of Stupid' article for more information.
Also, check out this article about another movie the Nigerian government does not want seen District 9.
Friday, September 18, 2009
FiftyCrows Blog: "affect/effect: Photographs That Create Change"
The Fifty Crows blog has a new series up titled: "affect/effect: Photographs that Create Change."
The first story is from Ed's image from the Niger Delta of the boy carrying the goat at the slaughterhouse.
Here is the link: FiftyCrows Blog
Tuesday, September 15, 2009
Thank you "duckrabbit"!
The OSI / Revenue Watch production of Ed's work "Shadows and Light - Oil, Power, and the Niger Delta" is graciously recognized by duckrabbit
Photojournalist David White and BBC Radio 4 documentaries producer Benjamin Chesterton represent the soul of this organization. "The only journalism/production company in the UK who combine the power of still images and audio to provoke change", duckrabbit is definitely worth a look.
So to David, Benjamin, and the entire staff of their company, a generous thank you for highlighting this compelling work on your blog.
Sunday, September 6, 2009
SocialDocumentary.Net Competition about Global Recession
I am pleased to announce that SDN (SocialDocumentary.Net) a truly engaged and committed website devoted to documentary photography and social change, is presenting its first photo competition. The theme is the Global Recession. Please go to the link below to learn more details for submitting your work.
SocialDocumentary.Net Context
Friday, September 4, 2009
Harvard Interviews Ed
Last month, Ed was interviewed for Narrative Digest, a publication of the Nieman Foundation for Journalism at Harvard. Focusing on his photo essay about the the largest abattoir in the Niger Delta, Ed's insights into still photography's defining moments are best expressed in his own words:
"You can raise a camera in the right place at the right time with the right commensurate level of perception, and you capture a moment that feels universal or penetrating or intimate."
Read the entire interview at Narrative Digest
Wednesday, September 2, 2009
Artivist Film Festival - Another Advocacy Opportunity
"Curse of the Black Gold" has been accepted into the 6th Annual Artivist Film Festival. December 1-5, 2009, the festival will showcase selected films including "Curse" at the historic Egyptian Theater in Hollywood. With more than 45 countries represented by over 300 films over the past five years, Artivist has reached millions in its efforts towards "merging art and activism for global consciousness."
So...if you find yourself in California in early December, check it out!
Tuesday, August 25, 2009
Through Your Lens Photo Contest
To all school students, teachers, parents, and staff: We encourage you to enter the Through Your Lens Photography Contest. This is your opportunity to show Congress and the public what your public schools really look like. The goal is to " raise awareness to the need to ensure that all students have the access to public school buildings that support learning and provide safe, healthy, environments." Ed will be one of the judges for this contest, which ends September 14th.
Saturday, August 22, 2009
Let This Letter Speak for Itself...
Dear Ed,
Last Christmas Catherine gave her nephew, my son Ben, your stunning book about Nigeria and the oil industry there. I present world history, geography and international news to teenagers in a California middle school, and so I quickly borrowed the book from Ben to use in my classroom.
My students know the book inside out now and one of their favorite pastimes is to open it to the bookmarked pages and review in awe, once again, the intense photographs --- the village by the river almost engulfed in garbage, the bare-chested oil workers laboring in a petroleum-saturated swamp, the women cooking by the burn off of pipes, all of them. Your book has been my most powerful teaching tool in getting through to teenagers just what we mean by pollution or exploitation or selfish economic decisions made by corporations or degraded environmental conditions in third world countries. These ideas are no longer abstract to them because of your important work. Catherine knew you would be happy to know how moving your photographs have proved to be for young people, and how powerfully they have educated those in my school.
Many thanks,
Marilyn Englander
REAL School Marin
Many thanks to you - Catherine and Ben for sharing the book. Marilyn for incorporating the work as educational material for your classes and for your considerate letter. And, thank you to the students for the hope you bring for a better future through a more enlightened generation.
Wednesday, August 19, 2009
International Photography Awards
Good news! Yesterday we received news that Ed is being honored with two awards in the 2009 International Photography Awards. In the 7th year, IPA received an unanticipated number of entries, nearly 18,000 submissions spanning 104 countries. IPA established itself as an internationally recognized competition that continues to garner the attention of the photography community worldwide.
In the Editorial category, Ed won First Place with his series of images from "Oil in the Niger Delta" (Environmental Pro) and Second place for "Niger Delta, Nigeria."
Check out the International Photography Awards website to see all the winners.
Wednesday, August 12, 2009
Shell Dialogues
On July 23rd, Shell executives agreed to discuss the crisis in the Niger Delta and answer pre-submitted questions. This agreement to open a dialogue came after Amnesty UK requested that everyone following the cause send Shell messages via Twitter.
Friday, August 7, 2009
Current Project: the Purpose Prize
Ed and videographer Peter Trilling are currently working on a series of 10 multimedia shorts for the Purpose Prize. This project is being produced by the Talking Eyes Media team for Civic Ventures. This is a wonderful example of non-profits working together to create rich media for expanding great causes. Ed and Peter have been compiling interviews and stills on the finalists for this prize, which celebrates the decisive change some Americans have made, from being ordinary men and women to life-impacting social entrepreneurs. The final pieces will be completed and released in late October, when the winners are announced.
Tuesday, July 28, 2009
Water News: Ed's Work in the Niger Delta
Circle of Blue ran a great piece yesterday entitled "War on Water: A Clash Over Oil, Power, and Poverty in the Niger Delta," using several of Ed's images and quoting his experiences in the region. His pictures of the militant group MEND patrolling the waters are a moving insight to the dangers of this "all out war." Read more and check out the pictures and info-graphics on the link below:
War on Water
Thursday, July 23, 2009
Missourian Interview: US-African ties
Last week Ed, along with several other panel members, discussed President Obama's recent trip to Ghana and the relations between America and Africa. Ed weighed in on Nigeria and how the corruption, largely due to oil, is causing a issues with Nigeria's ties to other nations.
"Oil all over the world is very pernicious and creates bad results for the people there, nowhere worse than in the Niger Delta. It is hard to see how things will improve without some kind of massive change, not just democratic institutions, but at the level of a ministry or company functioning without being riddled with corruption."
Read the full interview here
Friday, July 17, 2009
Three Launch Success
Thank you to everyone who came out to support Ed and Julie last night at the Powerhouse arena. The launch of Three and premier of the multimedia piece was a huge success! As an intern from Ohio U, it was my first time to Powerhouse, and to Dumbo, and it was fantastic. It was also wonderful and surprising to run into many other aspiring photographers, former professors, and old friends that I hadn't seen in a long time. I hope everyone else enjoyed the presentation, got to speak with Ed, and had a blast. Hope to see you all soon, and again - thanks for making it out last night.
Thursday, July 16, 2009
Resolve Blog: Notes on Returning to the Niger Delta
Today Ed posted travel notes about returning to the Niger Delta and the challenges of working there on the Resolve blog. His seven week trip to shoot a video in the State of Bayelsa brought constant trials. Read his about his experiences from the field by clicking on the link below:
Wednesday, July 15, 2009
Financial Times: Prix Pictet
The Financial Times of London just ran a piece on the upcoming Prix Pictet, featuring Ed's work as a finalist in the Shortlist. Please take a look at the rest of the Shortlist's bios and get an idea of the amazing competition.
Financial Times Article
Add Your Voice & Ideas to Help Africa
This is a great project that friends of mine are involved in. Please log on and add your ideas and voice to this noble project.
Peace Corps
Tuesday, July 14, 2009
Aurora Forum Summary
Richard Man was kind enough to post about last week's Aurora Forum at Stanford, for the book "What Matters."
Check out the link below, complete with image:
Aurora Forum
Prix Pictet Nominations In
Saturday, July 4, 2009
Jordan Times Profile
During my recent trip to Jordan I was interviewed by a young reporter with the Jordan Times, the main English language daily of Jordan, based out of Amman. I give some of my impressions of the Middle East and how things have changed during the past 18 years.
Jordan Times
Thursday, July 2, 2009
Event: Aurora Forum at Stanford
On July 9th, Ed will be presenting his work in What Matters: Documentary Photography and Social Change, with David Elliot Cohen, Michael Watts, and Mark Gonnerman. If you are in the area (and even if you are not!) please join us for the presentation and discussion, beginning at 7:30 in the Annenberg Auditorium in the Nathan Cummings Art Building of Stanford University.
Please follow the link for complete information:
Aurora Forum: Stanford
Africa: Politics and Societies South of the Sahara
Ruben Eberlein's blog, Africa: Politics and Societies South of the Sahara, is updated frequently with information on issues surrounding Africa. His most recent post captures the importance and influence of Curse of the Black Gold in the review, linked below. Thanks for the recommendation, Ruben.
Ruben Eberlein's: Africa
Jordan Photo Camp
Ed just returned from seven weeks in the field! After the difficult weeks creating a video documentary in the Niger Delta, the National Geographic Photo Camp in Jordan was a wonderful, enriching and moving experience.
Since his return, Ed has been discussing what a honor, and how fulfilling it was to work with Iraqi, Palestinian, and Jordanian teens, with the help of International Medical Corps, an American NGO working with local health issues. He said that "to witness the power of photography, and tell these kids' stories, was an incredible experience."
Here are two links that help convey the power and importance of this camp:
Jordan Times
Amnesty Attacks Oil Industry for Decades of Damage in Niger Delta
Nick Mathiason recently wrote an article for The Guardian UK about Amnesty International's publication of "serious human rights abuses caused by oil companies in the Niger Delta." The 141-page report by Amnesty singles out Royal Dutch Shell as being the most powerful operator in the region, thus most a fault here. Ed's photos are used in the article, as they were in the famous Shell V Wiwa trial, settled recently.
"Decades of pollution and environmental damage, caused by the oil industry, have resulted in violations of the right to an adequate standard of living, including food and water, violations of the right to gain a living through work and violations of the right to health," the report says.
It is refreshing to know that the world is finally holding these companies responsible. Spread the message, and read the article here:
TruthOut.org
NPR: Triptychs, Technology And Ed Kashi's Archives
Friday, June 26, 2009
Portuguese Blog Shows Niger Delta work
There is a wonderful photo blog by Antero de Alda in Portugal, who has been gracious to post some of my work from my Niger Delta project, including a link to a multimedia piece. This kind of linking and exposure is still new to me and sometimes seems strange to continually expose your work in this way, but it also reflects the moment we're living in. Ultimately to have one's work exposed to new audiences around the world, in different languages is what's it's all about and in some way this trend reflects the decline of print media and the emergence of online sites, blogs, etc as the lingua franca for the photographic profession. Is this true? Stay tuned but the journey has become quite different, vastly challenging and quite exciting.
Here is the link:
Niger Delta
Shooting Video vs. Stills
I have just finished shooting a new film in the Niger Delta and this was my first time, in 9 years of shooting video, that I only shot video. It was an interesting experience and I've shared some of my thoughts, along with four other photographers on LiveBooks' RESOLVE blog site. Here is the link...
RESOLVE
Thursday, June 25, 2009
Great Book Review on "Shvoong"
Here is a wonderful review of Curse of the Black Gold that was brought to our attention yesterday. Check it out:
Shvoong Review
Wednesday, June 17, 2009
Shell v Wiwa film on Current TV
Here is a new short film made about the Shell vs Ken Saro Wiwa trial recently held in New York. It was made by SaharaTV and is running on Current TV. Most of the stills are from my work in the Niger Delta.
The Struggle Continues - Shell v Wiwa
PopPhoto Link on Photographs That Made A Difference
Here is the PopPhoto link for their recent story on photographs that made a difference. I was honored to have one of my Niger Delta images in their story.
PopPhoto.com
Friday, June 12, 2009
Alternet Article on the End of Cheap Oil...again
Here is a very good article on Alternet about the end of cheap oil. The timing of the current oil price rise is unhelpful for economic recovery. Why is it that certain indicators, like the labor market or the price of oil, always run converse to what is best for the people and for our economy? Please read...
Alternet
I will be teaching a workshop in Colorado in August
Greetings from my last day in the Niger Delta, finishing up on a new film here. I want to mention that I'll be teaching a documentary workshop in August in Fort Collins, Colorado for The Center For Fine Art Photography. I recently juried their photo contest and am looking quite forward to visiting their center and teaching this 3 day workshop. While there I will also be giving a public lecture. If you plan to be in the neighborhood or live close by, please sign up.
Colorado Workshop Info
Wednesday, June 10, 2009
Exit Art exhibit, The End of Oil, Opens June 13th
On June 13th, from 6-8pm, Exit Art in SoHo will have an opening of its next exhibit, entitled The End of Oil. I have a handful of images from my Niger Delta work in the show. There will be video as well as photography. Unfortunately I'll miss it as I'm back in the Niger Delta shooting a film. Please check it out. I plan to go in early July upon my return to the US.
End of Oil
Friday, May 29, 2009
AlterNet Update - The Truth v. Shell
On Tuesday May 26, 2009, the Wiwa v. Shell trial originally scheduled to begin on Wednesday, was postponed. Chief Judge Kimba Wood has not yet set a new trial date. The earliest that jury selection will now begin is June 2, 2009.
Ed's photographs are included in a short film produced by Rikshaw Films that Royal Dutch Shell absolutely does NOT want anyone to see.
So WATCH IT on AlterNet!!!
Friday, May 22, 2009
"Shell Guilty" Website Shows Niger Delta Multimedia
In connection with the legal case being heard in New York City right now, a website supporting the efforts of Ken Saro Wiwa's family against Shell Oil has posted a short of our piece on the Niger Delta. Shell Guilty
Here is a very good article in the New York Times today that explains the case:
New York Times
This case could be historic depending on the verdict. I am back in the Niger Delta working on a new documentary in Bayelsa State and I am again reminded of the abhorrent disparities that continue here. The cynical and convenient behavior of the Nigerian Federal Government, it's military in the guise of the JFT (Joint Military Task Force) and the International Oil Companies, create this vicious dynamic where nobody has to actually take responsibility for the conditions of the Niger Delta; specifically the quality of life, lack of development, the environment, lack of human rights and unfair distribution of the oil profits. The Nigerian military uses the "militants", groups like MEND, as foils, framing the situation as one of just law and order. It is so much more complicated here and further violence will not solve this situation. While the militants, many who are criminal gangs, are no heroes, there must be another focus towards a lasting solution.
Wiwa v. Shell Trial
Jury selection will begin at 10 am on Wednesday, May 27, 2009, in New York. The lawsuit, Wiwa v. Shell, alleges that the multinational oil giant conspired in atrocious human rights abuses in Nigeria in the 1990s.
Royal Dutch Shell, with Brian Anderson as head of its Nigerian operation, is charged with requesting, financing, and assisting the Nigerian military, which used deadly force to repress opposition to Shell’s operations in the Ogoni region of the Niger Delta. Prosecution of leaders of this Movement for the Survival of the Ogoni People (MOSOP) included acclaimed author and activist Ken Saro-Wiwa, who on November 10th, 1995, was hanged along with eight other Ogoni leaders. Charges involving conspiracy and bribery, which may have led to the death sentences of these nine men, are also directed at Shell.
The Center for Constitutional Rights (CCR), co-counsel EarthRights International (ERI), and other human rights attorneys will present their case before Judge Kimba Wood of the U.S. District Court for the Southern District of New York.
Ed's images from Curse of the Black Gold
provide graphic evidence of Nigeria's plight.
Check out the links below:
The Case Against Shell
Shell Guilty
Vimeo
Friday, May 15, 2009
Thank You Elise!
Another University of Michigan, Ann Arbor, student Elise Aikman shares her insights in "Oil, Injustice, and Hope: You Can See it in Their Eyes". Throughout her writing, Elise eloquently describes photographs that provide glimpses into the personal lives of several Nigerians - the complete essay is a must-read!
However, the heart, soul, and essence of Elise's writing are best captured in her original poem:
"Page 213, Photograph of MEND militants: a poem by Elise Aikman"
The black mask
swaddles his head in its anonymous skin.
It hides his features (nose, forehead, the upper lip’s bow),
to inspire terror, to make you forget
you are looking at a human being.
The only feature of that malignant shadow clinging to his head,
is a wide mouth, and in its gullet are the hard whites of his eyes.
For some reason, when I looked at his eyes,
I thought of his mother, whoever she may be.
Did she live long enough
on the ashen face of that once-beaming land,
to see her son seated in a motorboat, as it churns the oil-thick river
to foamy phlegm—the kind that sticks in your throat and threatens to choke?
Did she see him gripping a machine gun with the same firm trust
with which he once
held her hand?
Elise, thank you for your provocative writing and compelling poetry!
PLEASE read Elise's essay in its entirety by clicking below.
Elise Aikman
Modern Africa
Paper on Curse of the Black Gold
Due 7 April 2009
Oil, Injustice, and Hope: You Can See it in Their Eyes
Part I.
A young woman sits on the floor, looking directly up at the viewer. Much of her body is in shadow, but her face catches the light from an unseen window. Although there are brighter colors elsewhere in the photo (bright blue floor, her colorful skirt, a little boy’s red shorts), her eyes immediately focus the viewer’s attention. Her gentle face, which neither smiles nor frowns, communicates profound emotion that is impossible to adequately verbalize. Her expression and the directness of her gaze are arresting; they make a compelling invitation to the viewer, to briefly enter her world.
This photograph on pages 108-109 of Curse of the Black Gold is an intimate view inside what is probably a typical Nigerian home. A small child sprawls on the floor, asleep. His belly looks swollen, likely from undernourishment, and he wears no clothes except for a little pair of red shorts. There is simple wooden furniture, and no electricity. This is the world of Ebia Amakady.
This photograph’s intimacy and honesty, especially Ebia’s face, as she sits beside her sleeping child, create immediate empathy in the viewer. On the one hand, this causes the reader to move from a purely conceptual, academic interest in the articles of the book, to an interest in the life of an individual. It guides us from the political to the personal, by allowing a glimpse into the life of a real person, who is affected by the economic and political issues discussed in the articles. Alternatively, the photograph might work in the other direction, by captivating an uninterested or indifferent viewer’s attention, and inducing them to read the articles about the situation in Nigeria. Personally, when I look at that young woman who lives without electricity, has probably not received an education, is a year younger than I am, and already has a child, I want to help her. That is the simple yet profound achievement of this photograph.
This photograph gains even greater depth when compared with the two-page spread immediately preceding it. Like the photograph of Ebia and her son, this one also portrays a small boy and an adult. Unlike Ebia’s son however, this boy sprawls on a plush leather couch, while an older man (King Egi, according to the caption on page 105), looks on from an expensive-looking armchair. An additional contrast is the presence of electric lighting. This opulent room was furnished with oil revenue from the Total/Elf company.
The authors’ choice to put these photographs next to each other in the order of the book, highlights the inequality with which oil revenue is distributed in Nigeria. It also hints at the extractive economic system’s corruption and lack of transparency, since it is likely that some of the funds poured into King Egi’s abode were meant for community development instead, to help people like Ebia and her son. The contrast between these photographs illustrates the unfair sharing of revenue that Oronto Douglas points out as a major problem in Now is the Time. It also shows the complicity of local leaders in the extractive system, as long as they receive some of the profits from the major oil companies.
Part II.
Page 213, Photograph of MEND militants: a poem by Elise Aikman
The black mask
swaddles his head in its anonymous skin.
It hides his features (nose, forehead, the upper lip’s bow),
to inspire terror, to make you forget
you are looking at a human being.
The only feature of that malignant shadow clinging to his head,
is a wide mouth, and in its gullet are the hard whites of his eyes.
For some reason, when I looked at his eyes,
I thought of his mother, whoever she may be.
Did she live long enough
on the ashen face of that once-beaming land,
to see her son seated in a motorboat, as it churns the oil-thick river
to foamy phlegm—the kind that sticks in your throat and threatens to choke?
Did she see him gripping a machine gun with the same firm trust
with which he once
held her hand?
As Michael Watts related, members of MEND are “not communist, not capitalist, they are just bitter men.” The photograph that inspired this poem reveals one outcome of decades of prevalent local poverty and neglect. Their eyes show bitterness because they know that a select few gain enormous wealth from the resources that are extracted from their land, while they themselves and their villages have barely received any benefits in fifty years of oil exports. Their anger and frustration with Nigeria’s extractive economic system and corrupt government is at once very apparent and understandable. But it also is not difficult to see MEND becoming a part of the very cycle it rebels against.
We might conceptualize the cycle beginning with the corrupt government, which denies its citizens a voice in decision-making and ignores their needs, maintaining itself through oil revenue and military force in place of accountability to the Nigerian people. Eventually a group of armed militants like MEND might succeed in violently overthrowing the government, resulting in yet another military government whose source of authority is sheer force, and probably oil wealth. The cycle repeats itself, while the Nigerian people continue to be excluded from the control and benefits of their resources. Although MEND might serve a purpose by bringing international attention to the situation in Nigeria, it surely cannot bring about the type of direct resource control and transparent government that the Nigerian people desire. As Dimieari Von Kemedi concludes in Nero’s Folly, “there is no military solution to the crisis in the Delta” (191).
Von Kemedi’s conclusion is confirmed in an immediate way by the photograph of Patrick Oghogho’s severely burned body (pages 206-207). According to the caption, this man suffered his injuries during a military attack on Port Harcourt, while he lay in his bed. These two pages of severely burned flesh create a visceral reaction of shock and horror in the viewer; it is almost physically painful to look at the raw yellow, black, and pinkish wounds erupting over most of his arms, hands, chest, and even his forehead. It is difficult to imagine the agony he has endured. This photograph offends the viewer’s sense of justice because the victim was completely innocent; his suffering is both horrific and senseless.
Aside from the injustice embodied by this photograph, there is the practical consideration that a nation in need of economic development should not cause the hospitalization of healthy 27-year-old men. Nigeria needs young men for its work force. As Oronto Douglas urges in Now is the Time, “government must provide employment opportunities” (143), so that the immense human capacity can be put to work productively. He also advocates sustainable development, governmental accountability and transparency, good resource management, corporate social responsibility, and fair sharing of revenue as aspects of a comprehensive non-military solution to Nigeria’s poverty and turbulence.
Perhaps the need for employment could be matched with the need for community development, if the government used some of the oil revenue to pay otherwise jobless young people to build infrastructure or sustainable drinking water systems in their villages. This might keep young people out of violent movements like MEND, by directing their energy toward productive community development instead. It is likely that institutions and policies will play a central role in Nigeria’s future. Bad institutions and policies have certainly contributed to the unfair revenue distribution, poverty, and turmoil that have been so prevalent in Nigeria’s recent history; it is not unreasonably to hope that better ones might be able to put Nigeria on the upswing.
Thursday, May 14, 2009
Niger Delta Bound & A Profile in the Kolkata Mirror
I am about to leave for the Niger Delta for a month long trip to shoot a documentary. This will be my first full doc! Given all the video I've shot over the past 8 years, this will still present a new and exciting challenge. I'll also be revisiting a place and project that has become central to so much of the advocacy and teaching work I've been involved in.
I was recently in Kolkata, India to teach a workshop and had the pleasure of meeting a young and very bright Indian photographer, Chhandak Pradhan. He works for the Kolkata Mirror and did a couple of stories about photojournalism and my work. Please find the links below. It's wonderful to see this kind of interest in photojournalism sprouting in other parts of the world.
Interview with Ed Kashi
Story on Photojournalism
Monday, May 11, 2009
Yale Magazine Interview with Michael Watts about Niger Delta
The magazine of Yale's School of Management has published an interview with Professor Michael Watts about oil in the Niger Delta and our book, published last year, Curse of The Black Gold: 50 Years of Oil in the Niger Delta. Please read and learn.
Yale's Qn Magazine
Monday, May 4, 2009
LA Progressive Article on Niger Delta and Oil
The LA Progressive has used one of my images from the Niger Delta project, which is another issue, as we don't remember being asked for this use. Such is the state of play in the digital world. And if it was a pirated use, then it adds to the concerns about being able to produce this kind of work in the future if nobody wants to pay for the uses.
Anyway, please read as it's an important piece of journalism about an issue that is dear to me and should be to you too!
LA Progressive
Monday, April 27, 2009
Nigeria Corruption Story on PBS FrontlineWorld Online
Please check out a new story on Frontline dealing with corruption and bribery in Nigeria. They have used a few of Ed's photos to illustrate the project. This is an important issue in Nigeria and is one of the prevailing problems that holds this energetic and intelligent country from moving forward and progressing into the new century in a unified and prosperous manner.
FrontlineWorld
FrontlineWorld...more
Friday, April 17, 2009
Danielle Finds "Beauty in Disaster"
Danielle describes Curse of the Black Gold as "...a vivid written account...[which]...creates a deep understanding of the mental and social hurt the oil industry has caused this culture." Combined with "...remarkable and breathtaking photographs...these two elements make it impossible to look away, to ignore, to be apathetic about the demise of a land rich with resources, allure, and potential." 
Examining the image (left), she comments on the oil industry as "...the colonizer who forcefully took all that Nigeria had to offer, leaving nothing behind but pain and wreckage. 
Looking at the photo (right), Danielle goes on to question, "What happened that made the citizens of this town wreck their home in such a manner? Why have they abandoned their mother for the oil? There is a sense of hopelessness and despair among the people of the Niger Delta, perhaps they feel nothing for their mother any longer."
Danielle: "The massacre of the Niger Delta is clear in this book. There is no denying its impact on the environment and the people." However, there is an optimistic sentiment in this student's words as she remarks that "[t]he most remarkable part about this book was that I didn’t lose hope in the Delta’s recovery. It is possible; there are signs of life, joy and beauty throughout the book." 
With this in mind, Danielle discovers "...so much life in this photo , even though it’s a funeral procession. Finding joy and life amongst death is not an easy task, but it has become an essential part of survival for the people because of the nature of the region. There’s so much we can learn from these resilient Nigerians. Not to give up, give in, or to stop living."
Danielle, thank you for your submission and positive outlook.
To read all of Danielle's essay, click below.
Danielle Young
4/7/09
Section 3
Beauty in Disaster
Why should anyone care about what is happening in the Niger Delta? This is a cynical question to say the least, but one that nevertheless pops up time and time again when talking about issues outside the United States. No one wants to pay any attention to the world outside their own front lawn because of the complexity of the problems and the distance they’re able to place between themselves and the declining world across the Atlantic. Ed Kashi and Michael Watts tackled this dilemma head on with their book, Curse of the Black Gold. By bringing in accounts of the travesty written by different people Michael Watts creates a deep understanding of the mental and social hurt the oil industry has caused this culture. At the same time we’re receiving a vivid written account our brain is overloaded with color, clarity, and emotion projected through Ed Kashi’s remarkable and breathtaking photographs. Together these two elements make it impossible to look away, to ignore, to be apathetic about the demise of a land rich with resources, allure, and potential.
The text that impacted me the most was “My Blessing, My Curse” by Kaine Agary. The blunt metaphor of the rape and destruction of Nigeria as a mother was impossible to forget. “Lost in his desire, one of these friends had no control as his knife slowly slashed at my body” (p 153). This passage is eerily portrayed in the large photograph on pages 18 and 19. A man, one of mother Nigeria’s many sons, stands strong and stoic loosely holding a massive knife behind his back. He stands gazing into the distance presumably unfazed at the black blood pouring out of the earth, staining and destroying the splendor described by Agary as “paradise.” Many others crowd around the scene as well staring into the huge fracture ripped into the earth by a massive oil pipeline. The shell symbol on the back of the knife man’s jacket represents the colonizer who forcefully took all that Nigeria had to offer, leaving nothing behind but pain and wreckage.
Immediately preceding that photograph is another one that plays out the drama of Agary’s short story. Remnants of the beautiful paradise of Nigeria are seen in that the palm tree lined horizon framing the shantytown precariously lining the water’s edge. “From my head grew great big bunches of plantain; out of my pores oozed palm oil; my legs stood long and strong, the healthiest of rubber trees…” (p 152). Although surrounded by the majestic landscape of the delta corruption has made Nigeria’s people turn on her. They’ve destroyed her precious resources by dumping garbage and filth everywhere in order to exploit her secret treasure buried between her legs. “In my mouth most glands have shut down and the little saliva there is so acidic, only a fraction of the fish that once swam in it can now survive in it” (p 153). What happened that made the citizens of this town wreck their home in such a manner? Why have they abandoned their mother for the oil? There is a sense of hopelessness and despair among the people of the Niger Delta, perhaps they feel nothing for their mother any longer.
This desperation is evident in the interview by Tom O’Neil with the Grand Commander of MEND. “We still believe in negotiations and dialogue. But we will not wait while the government kills us. We have a mandate of defending ourselves” (p 197). Tompolo is blunt about the mission of MEND; they are acting out as a people who have been abandoned by their government and robbed of their most profitable resource. They use strategies and tactics available to them, what they feel is the best way to get the job done. Their appearance says it all. A masked army shrouded in fog, wielding intimidating, colossal machine-guns. They refuse to be intimidated anymore, refuse to surrender what is rightly theirs. They’re prepared to defend to the death themselves, the land, and their oil.
The massacre of the Niger Delta is clear in this book. There is no denying its impact on the environment and the people. Flipping through the pages poignant details of catastrophe are lined up, one-by-one through images and voice. The most remarkable part about this book was that I didn’t lose hope in the Delta’s recovery. It is possible; there are signs of life, joy and beauty throughout the book. Whether its quaint shacks lined up one by one, inhabited by people dressed in beautiful color, or women making use of the only oven they can find: fire from an oil pipeline. Or the stark contrast between the natural green grasses slashed by a silver metal tube. These people aren’t just living, but thriving. I want to bring in one final photo. On pages 184 and 185 a band is marching through the streets, followed by women dressed in bright pink headscarves and shirts. There is so much life in this photo, even though it’s a funeral procession. Finding joy and life amongst death is not an easy task, but it has become an essential part of survival for the people because of the nature of the region. There’s so much we can learn from these resilient Nigerians. Not to give up, give in, or to stop living.
Tuesday, April 14, 2009
Welcome Conor to the Conversation
Conor chose "Forms of Resistance in the Niger Delta" as a title for his essay. 
He comments on the photograph above which "...depicts a 'disgruntled employee' confronting oil extraction head-on. An arm of the oil rig...tower[s] over the man in his small boat. He is isolated in a seemingly boundless body of water with nothing to grasp but a metal skeleton spewing flames. The caption reveals that he intends to take over the rig, but he seems to have little power over the vessel. It looks as though he needs rescue. His face seems relaxed, and yet, his is the smile of a man in utter desperation, with nothing left to lose. Amongst a scene of gray skies, murky waters, and diabolic flames, a strange bit of irony can be found inscribed inside the boat: 'Holy Paradise'. A sticker visible between his legs reads, 'Fear Not', driving the point home that this man shows uncanny fearlessness in confronting the behemoth rig."
Conor: "An analogous moment of confrontation is depicted...[when] [a] group of “disgruntled locals” stand purposefully near an apparatus at the site of an oil spill. ...a [S]hell employee wields a machete...behind his back, still leaving it visible to the protesting men. This image illustrates the menace of a militarized oil industry. From an American perspective, it is chilling and bizarre to see the Shell logo coupled with brutal weaponry. It is the ultimate irony that after exploiting the land’s resources and polluting the land by spilling oil, Shell is the only entity showing force in the image."
Conor has sited examples where "The locals confront the industry peacefully, as opposed to the violent tactics of MEND." But he goes on to suggest we ponder the question "...are they freedom fighters or criminals? There is no clear answer, but it is important to note that Nigerians are fed up and ready to fight back in any way they can."
Conor asks us all "...how can these people show their anger and make positive changes without bloodshed?" He comments that "It is easy to see the frustration that can build in a circumstance where legitimate forms of refusal are ignored, or worse, extinguished." And he notes that while "...an apology from Shell won’t rebuild the Delta’s infrastructure, perhaps it will help to heal its soul."
Conor, thank you for your thought-provoking observations.
The essay can be read in its complete form by clicking below.
Conor Mendenhall
CAAS 247: Modern Africa
Curse of the Black Gold Paper
4/7/09
Forms of Resistance in the Niger Delta
Dimieari Von Kemedi’s piece, “Nero’s Folly,” delves into the topic of resistance against the Nigerian oil industry. Kemedi tracks the history of MEND, a group that has used violent force to disrupt oil extraction in the Delta. Kemedi notes that Nigeria is in a condition of chaos, the result of “years of criminal neglect, exclusion, and repression,” and is now ripe for revolution. He argues that the emergence of MEND was inevitable in a climate of growing bitterness.
MEND’s outward appearance has ranged from unexpected power and confidence to uncoordinated attacks and internal struggle. The question arises, are they freedom fighters or criminals? There is no clear answer, but it is important to note that Nigerians are fed up and ready to fight back in any way they can.
Kemedi enriches his explanation of MEND-type resistance with the anecdote of David Independence. As an unemployed engineer, qualified with a master’s degree, he decried the oil industry with ethnic discrimination, and the Nigerian government with long-standing repression. Independence turned to the militia to give him something worth for, worth living for. People like Independence are stripped of their humanity, which results in their creative abilities giving way to destructive activity.
The photograph on pages 4-5 illustrates the discussion of resistance in the Delta. Kashi’s image depicts a “disgruntled employee” confronting oil extraction head-on. An arm of the oil rig juts into the frame from the right, towering over the man in his small boat. He is isolated in a seemingly boundless body of water with nothing to grasp but a metal skeleton spewing flames. The caption reveals that he intends to take over the rig, but he seems to have little power over the vessel. It looks as though he needs rescue.
His face seems relaxed, and yet, his is the smile of a man in utter desperation, with nothing left to lose. Amongst a scene of gray skies, murky waters, and diabolic flames, a strange bit of irony can be found inscribed inside the boat: “Holy Paradise.” A sticker visible between his legs reads, “Fear Not,” driving the point home that this man shows uncanny fearlessness in confronting the behemoth rig.
An analogous moment of confrontation is depicted in the photo on pages 18-19. A group of “disgruntled locals” stand purposefully near an apparatus at the site of an oil spill. In the foreground, a shell employee wields a machete. He holds it behind his back, still leaving it visible to the protesting men. This image illustrates the menace of a militarized oil industry. From an American perspective, it is chilling and bizarre to see the Shell logo coupled with brutal weaponry. It is the ultimate irony that after exploiting the land’s resources and polluting the land by spilling oil, Shell is the only entity showing force in the image. The locals confront the industry peacefully, as opposed to the violent tactics of MEND. We are left to ponder, how can these people show their anger and make positive changes without bloodshed?
The political route is entangled with corruption and riddled with injustices. Ledum Mittee explained in Watts’ interview that MOSOP’s efforts for governmental transparency and accountability were stifled by military force and the underhanded dealings of opportunistic politicians. It is easy to see the frustration that can build in a circumstance where legitimate forms of refusal are ignored, or worse, extinguished. But what is the difference between Mittee and Independence? Why does Mittee’s confidence in the political system prevail while his fellow Nigerians persistently sell out their own people for a cut of the loot? He understands that the anger fomenting in Nigeria can be harnessed by anyone for any range of purposes. This is exactly the problem that MEND saw as it began to splinter internally. We can see that there are opportunists in politics and militias alike.
Mittee explains that the MOSOP and the Ogoni people need to hear an apology from Shell more than they need monetary compensation. Although an apology won’t rebuild the Delta’s infrastructure, perhaps it will help to heal its soul.
Natasha Gains New Insights
Natasha probably speaks for many of us when she writes in her recently submitted essay, "Before reading Curse of the Black Gold, I knew very little about how the United States gets its oil, and I knew even less about the processes that happen in order for the oil to reach the United States." She continues in her essay to examine photographs which give her a new perspective on everyday frustrations faced by Nigerians.
Natasha notes "...local youth guard the first wellhead that was drilled in the Niger Delta. Oil was a failure in this region of Olobiri and the wellhead is a monument representing the lack of success that caused much frustration to those who live in the region. The youth are disposable. They are paid 'standby' [paid by oil companies to do nothing] even with an unsuccessful wellhead." 
"In another picture...a woman is baking in a gas flare caused by leaky pipelines. Human beings are not meant to live in these conditions. However,...these occurrences are so common that they have learned to live around these leaks. ... The local Urohobo people were living there before the oil companies...[and] they cannot just get up and leave. There is also a picture that shows children playing in the polluted waters of Finima. They have adapted to these dangerous conditions, and worst of all, the parents are watching their children literally play with fire and swim in oil."
Natasha: "There is a lack of opportunity for youths in places like these, ...an infinite cycle of violence and corruption...The oil companies step in and lower the standard of living for many locals. ...The youths then turn to each other and start looking for standby jobs that pay them to do nothing. In effect, they are feeding the fire of the oil companies by accepting their money. This also causes the ungovernability of the Niger Delta because everything is fueled by corruption and most people advocate it through violence because they don’t know any better."
Natasha, thank you for sharing.
To read the essay in its entirety, click below.
Natasha Wad
April 4, 2009
History 247.002
Pedro Monaville
Curse of the Black Gold
“Nigeria is not a country, it is a profession” (43). The violence and corruption in the Niger Delta is a result of this mindset. Oil companies and even locals think of Nigeria as a profession. The country is vulnerable to powerful people and companies that have the means to take advantage of the country’s resources. The violence in Nigeria is brought by the oil industry and is astonishingly underrepresented. The amount of corruption in Nigeria is much higher than I ever thought. The intense corruption resembles colonial Africa during the slave trade. The book and lecture by Michael Watts and Ed Kashi helped me understand the extent of the violence in the Niger Delta and why there is this notion that the Niger Delta is ungovernable.
Before reading Curse of the Black Gold, I knew very little about how the United States gets its oil, and I knew even less about the processes that happen in order for the oil to reach the United States. When Ed Kashi and Michael Watts lectured to our class, they introduced new perspectives about oil in Africa. Michael made a very touching argument about how the extent of American’s concerns about oil is the price, while there are much more horrible things that happen so that we can drive our gas-guzzling SUVs.
The demand for oil in the US causes an enormous amount of violence in the Niger Delta. Powerful countries like the US and countries in Europe have only provoked violence in Nigeria by creating room for corruption. The corruption has come from three main sources. The first is that corruption has flowed downward and become decentralized. It is no longer the state that has ultimate control because the violent youth groups have emerged. Second, the state military does not have a monopoly over the advanced weapons. These weapons are now available to notoriously armed forces, which pose a threat to state power. Thirdly, the rule of a new political class, known as Godfathers, has emerged as machine politicians (46). The intense corruption goes hand in hand with the notion that the Niger Delta is “ungovernable”. One reason this idea has been adopted is that there are so many violent youth groups competing for power under the oil companies. The companies pay youth groups to do nothing; this is called “standby”. There is no state power in Nigeria because too many different groups are trying to come into power using violence in an effort to build strong rapports with the oil industry. Another reason the Niger Delta is ungovernable is because The Oil companies function as a government (46). No country can succeed under the control of the Oil industry. The only reason these companies are considered governing bodies is because they are the ones who have the most money and power in the country. They aren’t actually doing a good job of governing because they aren’t acting in the best interests of the people. Although oil companies act as a terrible governing body, they are constitutionally inclined to pay the region in which they operate money for occupying their land (46). On page 45 in Curse of the Black Gold, local youth guard the first wellhead that was drilled in the Niger Delta. Oil was a failure in this region of Olobiri and the wellhead is a monument representing the lack of success that caused much frustration to those who live in the region. The youth are disposable. They are paid standby even with an unsuccessful wellhead.
As Ed Kashi and Michael Watts explained in their lecture, the oil companies have an obligation to give money to “community development”. They do so by paying local chiefs the allocated money and their responsibility to “community development” is done, but who knows where the money really goes. For example, Shell spends about $60 million on community development each year, but cash payments amount to more than double that amount (46). I never fully understood why the oil companies had such a bad reputation, but now I see these companies in Nigeria as a corrupt dictatorship. US oil companies come to places like Africa because these poor places are extremely vulnerable. The people living there don’t always know their rights and don’t realize that they are getting ripped off. Meanwhile, so many of the Nigerians are still very poor and starving while the powerful nations take advantage of them and make millions off of their suffering.
In another picture from the pamphlet we received at Michael Watt’s lecture, a woman is baking in a gas flare caused by leaky pipelines. Human beings are not meant to live in these conditions. However, this picture depicts that these occurrences are so common that they have learned to live around these leaks. The lifespan of the people who live around the oil spills and gas flares is short, but there is very little for them to do. The local Urohobo people were living there before the oil companies stepped in and planted their operations they cannot just get up and leave. There is also a picture that shows children playing in the polluted waters of Finima. They have adapted to these dangerous conditions, and worst of all, the parents are watching their children literally play with fire and swim in oil.
There is a lack of opportunity for youths in places like these, which causes them to band together and form youth groups. There is an infinite cycle of violence and corruption that I have seen in this book. The oil companies step in and lower the standard of living for many locals. By doing so, the youths of the community are more likely to lose their family members who work in these bad conditions. The youths then turn to each other and start looking for standby jobs that pay them to do nothing. In effect, they are feeding the fire of the oil companies by accepting their money. This also causes the ungovernability of the Niger Delta because everything is fueled by corruption and most people advocate it through violence because they don’t know any better.
